Scanline Ghosts Over a Black City

A holographic portrait dissolving into light: the profile of an adult woman rendered entirely as hundreds of fine horizontal scan-lines in hot pink, violet and tangerine orange, each line bending precisely around the curve of her forehead, closed eyelid, nose and lips, tiny gaps and glitch offsets where the signal breaks, a few luminous filaments drifting loose from her hair like fibre-optic strands. Below her chin the lines reorganise into a miniature futuristic city, tiered towers, antenna spires and tiny window grids built from the same glowing ribbons, a suspension bridge of light crossing the lower third. Foreground: sparse floating light motes and one bright horizontal flare line. Midground: the face and upper towers at peak brightness. Background: absolute pure black, empty and deep, so every ribbon of colour floats in void. Composition is a tall vertical poster, face occupying the upper third, city rising beneath, strong centre axis with asymmetric glitch tears on the right edge. Camera is straight-on and graphic, orthographic poster framing, 85mm-equivalent compression, no perspective warping. Light is purely self-emissive: neon glow blooms softly at line ends, colour bleeds faintly into neighbouring lines, orange warms the jaw while violet cools the temple, exactly like a long-exposure LED sculpture photographed in a dark studio. Materials feel like glass light-pipes and CRT phosphor, micro-texture of individual scan rows visible on close inspection. Style anchors: holographic glitch art, synthwave poster design, high-end electronic music key visual, Midjourney sref aesthetic. Rendered in ultra-clean 8K detail, razor-sharp line work, cinematic bloom, gallery-poster finish with no text anywhere in frame.